Description: 10 Cloverfield Lane is a 2016 American psychological horror–thriller film directed by Dan Trachtenberg, produced by J. Abramsand Lindsey Weber and written by Josh Campbell, Matthew Stucken and Damien Chazelle.

After getting in a car accident, Michelle awakens to find herself in a mysterious bunker with two men named Howard and Emmett. Howard offers her a pair of crutches to help her remain mobile with her leg injury sustained from the car crash and tells her to 'get good on those' before leaving the bunker. She has been given the information that there has been an alien attack and the outside world is poisoned.

However, Howard and Emmett's intentions soon become questionable and Michelle is faced with a question: Is it better in here or out there? 10 Cloverfield Lane (2016) This is a tricky movie to review because it tries to do three different things, and it does two of them well. It's a movie that gets so much better as it goes, you hate the manipulative first twenty minutes more and more. The problem is worse because I don't want to give away the plot. There are a few key twists that are part of what makes the movie special. The last section, which I can't outline a bit, is by far the best part, and it isn't given time to develop.

Oddly, the last part is also preposterous, and the main character survives against all logic, and the first sections of the film strive for true fictional accuracy. So, ultimately, the point of the film is to surprise and surprise. What really bothered me was the way the first section, where the leading woman is help captive (you learn this right away), tries to mislead us in a sensational way that doesn't make sense with the main central part of the film. John Goodman, the big name here, plays a survivalist who is portrayed as a good guy with a mixed up sense of justice (and some personal loose screws).

He's pretty good, though doesn't command the role quite the way he does some others in his career. The shelter he's created is elaborate, and the crisis outside the shelter is kept ambiguous— and doubtful—which is a great bit of suspense. Sportivnie emblem i devizi dlya detskogo sada mp3. The final section almost seems to suggest a sequel—one that would be utterly different than this film. Watch for it (if it happens) because it should be fun.

Story: A young woman has a car accident as she is driving through the countryside. She survives, but is injured. She is then abducted by a man and held captive in an underground shelter. He tells her that she isn’t a prisoner, but he's only protecting her from a doomsday situation that has wiped out the human race. Review: Have a look at the production credits of this film. You’ll spot the name J. An extremely astute and intelligent director who has a penchant for both mega-buck blockbusters (Star Trek, Star Wars: The Force Awakens, Mission: Impossible III) as well as flicks with relatively smaller budgets (Super 8, co-produced by Steven Spielberg) but still pack a hefty punch in terms of cerebral cool.

Combined with Trachtenberg, who helms this one, they’ve created a film that is delightfully unpredictable and extremely original. Movie And that’s where 10 Cloverfield Lane comes in. Michelle (Winstead) is held captive by Howard Stambler (Goodman, in a role you’ve probably never seen him play before) and the only company she has is fellow captive Emmett (Gallagher). Their underground shelter is stocked up with enough food and supplies for the foreseeable future. Michelle is initially hostile, but some good company in the form of Emmett (also wounded, although it is not known how or why, initially) does help and Michelle does veer towards developing Stockholm syndrome towards Howard. But only just.

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As Emmett and Michelle learn to adapt to their subterranean life without getting homesick or the blues, they stumble upon something that should have ideally been left undiscovered. Is Howard really a psychotic, deranged bad guy or is he just a lonely old fellow in desperate need of some company, while god only knows what has blighted Earth. Howard is brilliant in the sense that he manages to make both Michelle as well as the viewer guess what his motives are. The camerawork perfectly captures their closed surroundings, with tight angles, thereby accentuating dramatic tension. Winstead's performance is also amazing, evoking both empathy and intensity with equal ease. Don’t miss this gem of a thriller.