Listen: Crosby Stills Nash & Young ‘Deja Vu’ Musical Lead-Up Playlist The band with the addition of Young debuted live at Chicago’s Auditorium Theater with Joni Mitchell as the opening act. Two days later they performed their second gig at the now legendary Woodstock festival.

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After the success of, the trio had to think about going on tour. However to perform as a full electric band they needed extra members. In the end they chose to bring in, who had played with Stills in, and had recently started out on his own solo career.

Now a quartet, they became Crosby, Stills, Nash & Young. And Young gave them a formidable double lead guitar attack, and between the four of them they could handle all acoustic and electric guitars as well as keyboard duties. And with four practicing singer-songwriters on board, they already had a huge repertoire of material. They kept drummer Dallas Taylor on board, who had played on their debut album, and brought in 19-year-old Motown bassist Greg Reeves to complete the touring outfit. Young's contract allowed him to continue with his solo career whilst he performed with the group. They went on tour in summer 1969 - their second ever gig together was at the Woodstock Festival.

The folk-rock supergroup were becoming a huge success, and expectations were high when they came to record their next album. Deja Vu proved to differ somewhat from the first album. The group broadened their pallette, resulting in a more diverse collection of songs (and perhaps a less consistent record for that reason).

More so than the first album it sounded like a coalition of four singer-songwriters rather than a band. Crosby and Nash's signature songwriting styles become even more apparent. Contributed the hippie blues lament 'Almost Cut My Hair' and the surreal, dream-like title track, whilst came up with the radio-friendly country-rock of 'Teach Your Children' and the whimsical ode to domesticity of 'Our House'. Stills contributed the opening song 'Carry On', which defined the archetypal CSNY sound, and the quiet solo number '4+20'. Young wrote two songs, the slow, aching 'Helpless' (which became one of his best-loved songs) and the three-part suite 'Country Girl'.

They also recorded a rocking version of Joni Mitchell's 'Woodstock', and 'Everybody I Love You' was a collaboration between Young and Stills. Most of the instruments were played by the four of them with Taylor and Reeves, but there were also guest appearances from on pedal steel and John Sebastian on harmonica. However, was the album actually the perfect coalition that the record sleeve would have you believe?