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The ContinuuMini's Predecessor: The Continuum Fingerboard Dr. Lippold Haken started development over 35 years ago on what was to become the modern Continuum Fingerboard. Today, the Continuum has established itself as the premier multidimensional controller surface ever designed. It has been in the vanguard for expressive control ever since it’s inception as a commercial product at the beginning of this century. Many varied artists from around the world have discovered the beautiful experience that the Continuum can deliver: an amazing acoustic-like experience that really opens the door for countless types of outstanding musical expression. Besides being a versatile controller with the ability to connect to the external world via Midi and analog control voltage, the Continuum excels as a complete musical instrument, thanks to it’s internal sound engine, the EaganMatrix.

The EaganMatrix is the brainchild of Canadian sound designer and Continuum performer Edmund Eagan. The EaganMatrix creates an exceptional connection between playing surface and sound engine. It’s novel matrix design and deep modulation structure allows for unprecedented integration with the Continuum playing surface. These two major components come together to form the most expressive digital musical instrument ever made.

Enter the ContinuuMini. The playing surface of the ContinuuMini has been designed to translate finger movement from one or two fingers at a time into beautiful musical expression. Kurs programmirovaniya lego mindstorms ev3 robota v srede ev3 driver. While based on similar design philosophies as the Continuum Fingerboard, the ContinuuMini has it’s own unique playing experience. The Mini’s playing surface can respond to incredible light touch, which leverages an underused aspect of human control, the ability of the hand to deliver delicate light touch finger input.

Lighter than playing a piano, or strumming a guitar, or even lighter than the action of modern Midi keyboard controllers. Every nuance of finger movement is captured and translated into sound through interaction with this highly-optimized playing surface.

And complete control of the fully programmable EaganMatrix sound engine opens up a world of sonic possibilities. Due to it’s robust bidirectional implementation of MPE and MPE+, the ContinuuMini can control external synths or be played by external Midi controllers.

The pedal input can be used as a continuous sustain pedal input, for dynamic sustain or a variety of other uses within the EaganMatrix. So from what I can see, correct me if I'm wrong, it is polyphonic but the pitch bend/slide is not?

+ The ContinuuMini’s synth engine is up to 8-voice polyphonic, but its playing surface can detect only one (or, in a limited way, two) fingers at a time. When you touch the surface with two fingers, it can detect the two pitches each with independent bend/slide, but only one overall pressure. The polyphony you hear comes from different things depending on how the preset is programmed: it can be from notes that decay a long time after you release your finger, or from sustain pedal, or from internal sound generation based on notes you played in the past. I tried playing a Continuum Fingerboard and loved it! Does the ContinuuMini have the same sensitivity? + The ContinuuMini has great sensitivity, but not the same playing surface feel as the Half-size and Full-size Contiunuum Fingerboards. The ContinuuMini’s pitch accuracy, pressure sensitivity, and fast response makes it a super-sensitive instrument.